This rhythm is called the hino da capoeira regional, or, the capoeira regional anthem.
Some people call this rhythm Santa Maria too.
This rhythm is highly subjective, and often changes subtly from group to group, from teacher to teacher.
This is they way that Formado Cacador from the Associacao de capoeira Mestre Bimba taught me.
Thanks Cacador!

I have broken it down into parts to make it easier to understand and learn.

In our academy, we usually play this rhythm at the beginning and the end of class.

Just a few pointers:

1. I believe the objective of this rhythm is for people to have time to reflect on capoeira from the past, present and future. It is to also help give time to pay homage to capoeiristas who have helped build the art.

2. Usually a formado or someone competent at berimbau will be assigned to play the rhythm. We usually all line up in order of rank facing a picture of Mestre Bimba.

3. Everyone will place there right hand on their heart, stand upright and reflect on capoeira whilst the berimbau plays the rhythm. When the rhythm is finished, the teacher will lift his hand from his heart and clearly say “salve!” Then, everyone in unison will follow by doing the same gesture and repeat, ‘salve!’.

4. They will call this the “saudacao” which means to pay homage. At the end of class before the saudacao, it is common for the teacher to talk and reflect about the class, and for the students to comment on the class. It is also an open forum for people to talk about certain events or things that are happening at the time.

Here is a breakdown:
H= High note, rock pressed on wire
L= Low note, rock not on wire, solto
T= Rock loosely pressed against wire, tich.

1st Part
L L / L L L L / L L L H L H
T T H H H H / H H H L H L

T T L L L L/ L L L L H L H
T T H H H H/ H H H L H L

2nd Part
T T L T T L / T T L H L H
T T H T T H / T T H L H L

3rd Part
T T L L L L/ L L L L L L
T T L L L L / L L L H L H

T T H H H H/ H H H H H H
T T H H H H/ H H H L H L

4rth part a.
T T L T T L / T T L H L H
T T H T T H / T T H L H L

4rth part b.
T T L T T L / T T L H L H
T T H T T H / T T H L H L / L L H L H L/
L L H L H L / L L H L H L / L L L H /

here is a video of Mestre Bimba playing the ‘hino’.
As you may notice it is played differently, but, what I find is important in all of the berimbau rhythms is to find the heart of the rhythm, the pulse. As long as you have the pulse the notes in between are just extra ‘flavours’.

This rhythm is the ‘hino’ de capoeira, the anthem of capoeira. In the associacao de capoeira mestre bimba, bahia brazil, we play this anthem before every class to pay homage to the mestres of the past, and of course mestre bimba. There are many variations that can be added, but it is generally played with a different timing than that of Apanha laranja no chao tico tico.

VERBAL ANNOTATION:
TICH TICH DOM DOM DOM DOM DOM TICH TICH DOM DOM DOM DOM DIM
TICH TICH DIM DIM DIM DIM DIM TICH TICH DIM DIM DIM DIM DOM

Sao Bento Grande (Regional)

The Rhythm of Sao bento grande is usually played in most traditional Capoeira Regional Rodas. Many groups and people have either suppressed or misunderstood where and when to use this toque.  

The game of regional has specific guidelines that over the years have been changed and manipulated to match with the current times.  Because of this, the traditional regional game is uncommon to see.  My mestre once said that if you wanted to see a true traditional capoeira regional roda, you would need to bring back all of the students teachers and masters from that era and have them all have a roda together.  Which is, of course, impossible. The aim of the associacao is to help maintain and preserve some of the aspects of regional that were passed on from when it was created.

VERBAL ANNOTATION:
TICH TICH, DOM, TICH TICH, DIM, TICH TICH, DOM, DOM, DIM

Many groups that say they do capoeira regional, are really more of a contemporary based capoeira regional.  They use the toque sao bento grande, but the sao bento that is used in angola.  Tich, Tich, Dim, Dom Dom.  Within traditional or semi-traditional regional rodas you will see them using the Sao bento grande de bimba, or da regional